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RAW and sRAW conversions different in Lightroom

:: Sunday, January 31st, 2010 @ 3:24:02 pm

:: Tags: ,

I’ve been shooting lots of timelapses recently. I typically shoot them with a Canon 5D Mark II in sRAW (small RAW: a lower resolution RAW file) because otherwise I end up with thousands of 21-megapixel images to store.

My timelapse workflow involves bringing all of the images into Adobe Lightroom, setting white-balance and 16:9 crop on all images, and exporting as JPG to be opened as an image sequence in Quicktime 7 Pro. I noticed yesterday that one of my timelapses had a jump exposure in the middle of the movie. Upon close inspection, I discovered that the change in exposure was due to Lightroom treating RAW files differently than sRAW files! I had forgotten to set my camera to record sRAW images and ended up switching to sRAW in the middle of the sequence.

Below is an example of the difference between RAW and sRAW conversion. Images were exported from Lightroom with identical settings.


Lightroom conversion: RAW on left, sRAW on right. sRAW has brighter conversion.

However, when I extract JPG thumbnails from the RAW images, the exposures look identical:


Successive frames of the timelapse when bypassing Lightroom

If you’re a die-hard Lightroom user, be aware that it processes RAW and sRAW differently! The frames are sufficiently different that it makes mixing RAW and sRAW in a timelapse sequence impossible in Lightroom.

Tonight’s timelapse is below. I wanted to use the Recovery tool to pull back some of the blown-out area around the sun, but the Lightroom issue prevented me from doing so (and I was too lazy to use DPP).

Until tomorrow!

| Dominica | link | trackback | Jan 31, 2010 15:24:02
  • Mona

    Why are you using “shitty” sRGB?

  • http://echeng.com echeng

    sRGB is for web display. It would be foolish to show images on the web in any other color space. Also, this was only for illustrative purposes.

  • http://lightroom-blog.com Sean McCormack

    Eric, You should familiarise yourself with the real difference between Raw and sRaw, which has nothing to do with Lightroom exclusively, but all Raw convertors. sRaw is a demosaiced format, meaning that the information from the sensor has already been processed by the Camera. It’s then shoehorned into a new file container that contains most of the information, but not all. Things like hot pixel mapping seem to be missing. As the file isn’t a real Raw, it means that Lightroom can’t use the normal demosaic process to generate a nice clean new file. Essentially the file is half baked, not quite a Raw, but not fully a Jpeg.

    Personally I’ve lost a number of night timelapses to sRaw, and I’d recommend just using JPEG over sRAW for timelapse. Just make sure you have the optimum starting exposure and set the white balance yourself. Do I wish Lightroom could better handle these files? Yep, because then I might get those timelapses back. But I take a different route instead. Did you try my LR3Beta Presets for Lightroom timelapse?

  • http://echeng.com echeng

    Sean – thank you for the information. I will do some research; I use sRAW so infrequently that I never bothered to find out what exactly it is storing.

    I haven’t tried your timelapse presents yet, but I’ll check them out when I get a chance! These days, I prefer to export images and create a super high-quality master video, which I transcode with Compressor.

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